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	<id>http://indonesianetaudioforum.net/wiki/index.php?action=history&amp;feed=atom&amp;title=Soichiro_Mihara%2FKazuki_Saita</id>
	<title>Soichiro Mihara/Kazuki Saita - Riwayat revisi</title>
	<link rel="self" type="application/atom+xml" href="http://indonesianetaudioforum.net/wiki/index.php?action=history&amp;feed=atom&amp;title=Soichiro_Mihara%2FKazuki_Saita"/>
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	<updated>2026-05-15T09:48:39Z</updated>
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	<entry>
		<id>http://indonesianetaudioforum.net/wiki/index.php?title=Soichiro_Mihara/Kazuki_Saita&amp;diff=496&amp;oldid=prev</id>
		<title>Hilmanasdf pada 8 Agustus 2018 18.07</title>
		<link rel="alternate" type="text/html" href="http://indonesianetaudioforum.net/wiki/index.php?title=Soichiro_Mihara/Kazuki_Saita&amp;diff=496&amp;oldid=prev"/>
		<updated>2018-08-08T18:07:45Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Revisi sebelumnya&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revisi per 8 Agustus 2018 18.07&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l2&quot; &gt;Baris 2:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Baris 2:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Bahasa Inggris==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Bahasa Inggris==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;The Japanese artists and computer experts &lt;/del&gt;Soichiro Mihara and &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Kazuki Saita have been working on &lt;/del&gt;the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;development &lt;/del&gt;of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;organic &lt;/del&gt;sound &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;systems since 2004&lt;/del&gt;, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;when they attended a lecture on imaginary energy fields by synthesizer pioneer Robert Moog&lt;/del&gt;. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Their goal &lt;/del&gt;is the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;creation &lt;/del&gt;of a &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;decentrally organized alternative nature&lt;/del&gt;, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;which will make &lt;/del&gt;the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;“living echo &lt;/del&gt;of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;technology” audible&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;===Soichiro Mihara===&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Aiming to create artwork that openly engages with the world, &lt;/ins&gt;Soichiro Mihara &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;creates systems that employ materials and phenomenon such as sound, foam, radiation, rainbows, microorganisms, moss, electricity, airflow, and soil. From 2011 he has exhibited, in Japan and overseas, “[blank] project”, which considers the relationship between technology and society. He has resided and produced art in 10 places in 8 countries, including the Arctic, a rainforest, a military border, and a bioart laboratory. Recently, his work was shown in a solo exhibition called The World Filled with Blanks (Kunstraum Kreuzberg/Bethanien, Germany, 2013; Kyoto Art Center, 2016) &lt;/ins&gt;and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;was shown in &lt;/ins&gt;the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;group exhibitions Elements of Art and Science (The Ars Electronica Center, Austria, 2016) and Sound Art. Sound as a Medium &lt;/ins&gt;of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Art (ZKM, Germany, 2012). Recently, he has also been maintaining and repairing artwork such as &lt;/ins&gt;sound &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;sculptures and media art&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;mediums without an established methodology.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;===Kazuki Saita===&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Kazuki Saita is an electronic musical instrument producer and programmer&lt;/ins&gt;. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;He &lt;/ins&gt;is &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;also a visiting head of the anonymous organization Kinoshita Lab and has completed a course at &lt;/ins&gt;the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Institute &lt;/ins&gt;of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Advanced Media Arts and Sciences, Studio 2, at the School of Engineering at Tohoku University. While at university, he began producing a sound installation called “moids” with Soichiro Mihara and others. Currently, besides working at &lt;/ins&gt;a &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;music instrument production company as an engineer&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;he is also active producing home-made electric instruments and performing with The Breadboard Band, Re-inventing &lt;/ins&gt;the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Wheel project, and other groups. He also supervises translations &lt;/ins&gt;of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;books on synthesizers and electronic engineering&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Bahasa Indonesia==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Bahasa Indonesia==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Seniman dan ahli komputer &lt;/del&gt;Soichiro Mihara dan Kazuki Saita telah bekerja dalam &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;ranah pengembangan sistem bunyi organik sejak tahun 2004&lt;/del&gt;. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Praktik tersebut terinspirasi oleh kelas tentang “Imaginary Energy Fields” oleh pelopor perangkat synthesizer Robert Moog&lt;/del&gt;. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Tujuan utama mereka adalah penciptaan alam alternatif yang terdesentralisasi dan terorganisir&lt;/del&gt;. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Di mana ruang tersebut dapat menyuarakan gema dari bebunyian yang bersumber dari teknologi menjadi terdengar&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;===Soichiro Mihara===&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Dengan tujuan menciptakan sebuah karya seni yang terbuka secara luas kepada dunia, &lt;/ins&gt;Soichiro Mihara &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;menciptakan sebuah sistem menggunakan material dan fenomena seperti bunyi, busa, radiasi, pelangi, mikro-organisme, lumut, elektrisitas, aliran udara dan tanah. Semenjak 2011 ia telah memamerkan—di dalam dan luar Jepang—“[blank] project”, yang dianggap sebagai hubungan antara teknologi &lt;/ins&gt;dan &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;masyarakat. Dia telah menetap dan memproduksi karya seni di 10 tempat dalam 8 negara, termasuk Antartika, hutan hujan, perbatasan militer dan laboratorium bioart. Hingga kini, karya-karyanya telah ditampilkan dalam pameran tunggalnya dengan judul The World Filled with Blanks (Kunstraum Kreuzberg/Bethanien, Germany, 2013; Kyoto Art Center, 2016) dan dipamerkan dalam pameran kelompok Elements of Art and Science (The Ars Electronica Center, Austria, 2016) dan Sound Art. Sound as a Medium of Art (ZKM, Germany, 2012). Ia juga bekerja sebagai teknisi untuk mengurus dan memperbaiki karya seni berbentuk sound sculpture dan media art.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;===Kazuki Saita===&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Kazuki Saita &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;adalah seorang produser dan pemrogram instrumen musik elektronik. Dia juga adalah seorang ketua tamu di organisasi anonim Kinoshita Lab dan &lt;/ins&gt;telah &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;menyelesaikan studinya di Institute of Advanced Media Arts and Sciences, Studio 2, di School of Engineering at Tohoku University. Ia mulai memproduksi karya instalasi bunyi bertajuk ‘moids’ bersama Soichiro Mihara dan rekan-rekan lainnya sebagai pelajar di universitas. Saat ini, selain &lt;/ins&gt;bekerja &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;di sebuah perusahaan produsen instrumen musik sebagai engineer, dia juga aktif memproduksi instrumen musik elektronik rumahan dan tampil di panggung bersama The Breadboard Band, Re-inventing the Wheel project, dan kelompok lainnya. Kazuki juga menjadi penanggungjawab &lt;/ins&gt;dalam &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;penerjemahan buku-buku mengenai synthesizers dan electronic engineering ke bahasa Jepang&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;==Situs Web==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;* [http://mhrs&lt;/ins&gt;.&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;jp/ Situs web Soichiro Mihara]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;* [http://www&lt;/ins&gt;.&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;kinoshita-lab&lt;/ins&gt;.&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;org/ Situs web Kazuki Saita]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Hilmanasdf</name></author>
		
	</entry>
	<entry>
		<id>http://indonesianetaudioforum.net/wiki/index.php?title=Soichiro_Mihara/Kazuki_Saita&amp;diff=471&amp;oldid=prev</id>
		<title>Woktherock: /* Bahasa Indonesia */</title>
		<link rel="alternate" type="text/html" href="http://indonesianetaudioforum.net/wiki/index.php?title=Soichiro_Mihara/Kazuki_Saita&amp;diff=471&amp;oldid=prev"/>
		<updated>2018-08-02T15:09:27Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Bahasa Indonesia&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Revisi sebelumnya&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revisi per 2 Agustus 2018 15.09&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l5&quot; &gt;Baris 5:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Baris 5:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Bahasa Indonesia==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Bahasa Indonesia==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Seniman dan ahli komputer Soichiro Mihara dan Kazuki Saita telah bekerja dalam ranah pengembangan sistem bunyi organik sejak tahun 2004. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Pekerjaan itu &lt;/del&gt;terinspirasi oleh kelas tentang “Imaginary Energy Fields” oleh pelopor perangkat synthesizer Robert Moog. Tujuan utama mereka adalah penciptaan alam alternatif yang terdesentralisasi dan terorganisir. Di mana ruang tersebut dapat menyuarakan gema dari bebunyian yang bersumber dari teknologi menjadi terdengar.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Seniman dan ahli komputer Soichiro Mihara dan Kazuki Saita telah bekerja dalam ranah pengembangan sistem bunyi organik sejak tahun 2004. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Praktik tersebut &lt;/ins&gt;terinspirasi oleh kelas tentang “Imaginary Energy Fields” oleh pelopor perangkat synthesizer Robert Moog. Tujuan utama mereka adalah penciptaan alam alternatif yang terdesentralisasi dan terorganisir. Di mana ruang tersebut dapat menyuarakan gema dari bebunyian yang bersumber dari teknologi menjadi terdengar.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Woktherock</name></author>
		
	</entry>
	<entry>
		<id>http://indonesianetaudioforum.net/wiki/index.php?title=Soichiro_Mihara/Kazuki_Saita&amp;diff=468&amp;oldid=prev</id>
		<title>Hilmanasdf: ←Membuat halaman berisi 'Soichiro Mihara dan Kazuki Saita oleh 5upernet  ==Bahasa Inggris== The Japanese artists and computer...'</title>
		<link rel="alternate" type="text/html" href="http://indonesianetaudioforum.net/wiki/index.php?title=Soichiro_Mihara/Kazuki_Saita&amp;diff=468&amp;oldid=prev"/>
		<updated>2018-08-02T13:16:35Z</updated>

		<summary type="html">&lt;p&gt;←Membuat halaman berisi &amp;#039;&lt;a href=&quot;/wiki/Berkas:Soichiro_Mihara_dan_Kazuki_Saita_oleh_5upernet.jpg&quot; title=&quot;Berkas:Soichiro Mihara dan Kazuki Saita oleh 5upernet.jpg&quot;&gt;jmpl|Soichiro Mihara dan Kazuki Saita oleh 5upernet&lt;/a&gt;  ==Bahasa Inggris== The Japanese artists and computer...&amp;#039;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Halaman baru&lt;/b&gt;&lt;/p&gt;&lt;div&gt;[[Berkas:Soichiro Mihara dan Kazuki Saita oleh 5upernet.jpg|jmpl|Soichiro Mihara dan Kazuki Saita oleh 5upernet]]&lt;br /&gt;
&lt;br /&gt;
==Bahasa Inggris==&lt;br /&gt;
The Japanese artists and computer experts Soichiro Mihara and Kazuki Saita have been working on the development of organic sound systems since 2004, when they attended a lecture on imaginary energy fields by synthesizer pioneer Robert Moog. Their goal is the creation of a decentrally organized alternative nature, which will make the “living echo of technology” audible.&lt;br /&gt;
&lt;br /&gt;
==Bahasa Indonesia==&lt;br /&gt;
Seniman dan ahli komputer Soichiro Mihara dan Kazuki Saita telah bekerja dalam ranah pengembangan sistem bunyi organik sejak tahun 2004. Pekerjaan itu terinspirasi oleh kelas tentang “Imaginary Energy Fields” oleh pelopor perangkat synthesizer Robert Moog. Tujuan utama mereka adalah penciptaan alam alternatif yang terdesentralisasi dan terorganisir. Di mana ruang tersebut dapat menyuarakan gema dari bebunyian yang bersumber dari teknologi menjadi terdengar.&lt;/div&gt;</summary>
		<author><name>Hilmanasdf</name></author>
		
	</entry>
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